“... poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.” --Audre Lorde
Friday, April 29, 2011
Your imagination is a powerful and creative tool for life transformation
see whole article here: It's All In Your Mind
Sunday, April 17, 2011
green dreams
subsumed by certainty
let me count the ways a noun
designates girth
spiral milk
curdling
this will not answer what
revolves
faith
a constitution undeterred unrecovered searching
a loss of law
in the flee market goods
practiced like a fiber rich diet
apples or
goats prefer the pasture
and chickens develop healthy omega
whatnot
Thursday, April 14, 2011
subversive publishing
Tuesday, April 12, 2011
soluble
over snooze impractical
choose 27 ways to constitute
the absurd
a subsidiary of certainty (you might wonder at the expense)
(there is no price too )
how does one know in detail what happens under investigation
handling questions like herding goats
when laws don't change
"mam" "sir" the rule of latitude
will not answer circular accumulation
(fat sugar broccoli faith)
sleeping
on the lamb
potential for failed payment undoing the answers
to nothing
Tuesday, April 05, 2011
Tuesday, March 29, 2011
EMU undergrad English Scholarships
Stop by the English dept office to pick up the application info.
Friday, March 25, 2011
for H.D.
looms like gravity a simile as in similitude
i am like you laugh laugh
we tell the same jokes
do not accept defeat things words
strive to be happy
better words were never
things
sky sidewalk traffic pungent recall
this time last spring
you were watching the same
episode, joking continuously
like infinity as a concrete material
that may or not have a limit
Beverly Dahlen
language language it is all made of language. nothing sees it any other way. words and things. “a space beyond words and it is filled with things.” (73)
somehow the writer was a different person writing. the writer did not look like her writing. she may have been fair or dark but that did not perhaps enter her writing. now perhaps there were persons one knew first and then knew their writing later. then there was another person. the person of the writing.
but of course there was the reading also. first one would have been a reader. then one was helpless. then one knew nothing but the writing. as the reader one knew nothing but the writing. then the person disappears. then, and then the writing is all. all there is. then there is nothing but reader, reader of the writing. then we can only wonder at the person who might have been, the someone who was there, now gone, disappeared long ago behind the writing. there, perhaps, once, but that was long ago. the writer may now be gone, dead perhaps. in any case, not there. (86)
Tuesday, March 22, 2011
Beverly Dahlen
history repeats, the second time around as farce. the third time’s the charm. marigolds banked on a slope as part of a scientific plan for erosion control. I don’t understand you. read up on it: here’s a booklist.
(9)
compelled
as usual
the diameter of external circumstances
each layer pressing against the walls of what's possible
head toward the wall, push against it
but how far you can go is another
direction of unknowing
lines marked but
shifting
get to the edge and keep going
unless you need to reverse
and look instead
like when that guy grabs the last bowl of soup
and another guy is starving and we all
understand little about
displacement
when someone is screaming in your ear
filling in the blanks
like meaning
becomes
impossible
Sunday, March 20, 2011
works, there are at least 2 things
i don't understand
but you have the cards
each deck layered against
rational reciprocation
do you know that when it is 18% larger
the moon becomes resilient
against whims of selfish aspiration
and I confront your dual concerns
with a complex of painted comforts
unattached
Monday, March 14, 2011
Sunday, February 27, 2011
those
continuing after
who are funny and stupid
revolving wheel waiting
any clever intention will
do
who are revolving apparently waiting
stupid you are
only an idea as if it mattered
what’s the use
waiting funny there are 3
types crossing
every boundary
who are only clever resolving
to repeat
an infatuation or an infantile
neurosis
repeats
you who are a multiple of 3
waiting funny and stupid
boots stuck in mud
a traumatic tragedy at the age
of 3
stupid boundaries crossing apparently
waiting to break through
or cross over
as if it mattered
circulate dreams realized after
your boots
stupid and neurotic joke infantile laughter
press seams and demarcate
ask who are willing
to
tennessee williams
Expressionism and all other unconventional techniques in drama have only one valid aim, and that is a closer approach to truth. When a play employs unconventional techniques, it is not, or certainly shouldn't be, trying to escape its responsibility of dealing with reality, or interpreting experience, but is actually or should be attempting to find a closer approach, a more penetrating and vivid expression of things as they are. The straight realistic play with its genuine frigidaire and authentic ice cubes, its characters that speak exactly as its audience speaks...has the same virtue of a photographic likeness. Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
These remarks... have to do with a conception of a new, plastic theater which must take the place of the exhausted theater of realistic conventions if the theater is to resume vitality as a part of our culture.
Tennessee Williams, 1945
Tuesday, February 22, 2011
tuesday, or
from HERmione
Monday, February 21, 2011
impossible
--Laura Wetherington
when the impossible becomes one
and the same vibration
show me
I am this body, turned and judging
missing only the possibility of
symptoms, listing ways in which
a breath, a cough, dust in the air
figures perceptibly like fragile
velcro scratching against yarn
this knitted deafness
I am (this body) under
the pressure of breaking through holes
of mist, part of a parcel
of forgotten worry
strangers meet at the intersection of 3
states, cross each border
and reconsider
symptoms can lead to other than death
when the possible becomes inclined
to ask
a philosophy of circular thinking
redundant emotional clutter
intervenes
smoke figures loosely in this analogy
see lightning, wait for
more undeniable clues
and ignore, like a sore throat
what lies behind eyes of
inclination
circling around the obvious
musical interlude
on repeat
Tuesday, February 15, 2011
in february
of fancy a gaze splayed through dirty
glass elements of sun disperse gather
dust a silent
ring
i imagined it a voice telling me something in rubble
rumble a bubble of nonsense syllables like a singular
om uttered by 100 voices simultaneously
off key
i heard a voice still repeating polite
affirmations
not unnoticed until cleverly
dismissed
accidentally nonsensical or paralyzed
loss of individual words
word sounds
making sounds like words
fails
i resort to thinking in overtones
heavy breathing
particles linger just away
from